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Photoshop Elements 2 - Part A
Week 6
Intro | Week 1 | Week 2 | Week 3 | Week 4 | Week 5 | Week 6

Just a Few More Things

Cloning Out Imperfections

This picture was taken in the mountains outside Granite, Colorado, at an altitude of around 9000 ft. The owner of this animal claimed it was a Yak. It was late in the winter, the snow had melted off the meadow, and the yak still had his winter coat. I got as close as I dared, but felt relatively safe since the yak was behind a new barbed wire fence.

johndcloneb4.jpg

johndcloneb4.jpg


The first fix to the shot was to clone out the partial head of the second yak, at the top left of the picture. Then I cloned out the barbed wire fence, to pretend I had a really expensive telephoto lens on my camera. Although it sounds simple, the cloning took quite some time as I kept the opacity of the clone tool at 70% to avoid dense patches of copied material. I found that 70% lets me take several steps in applying the clone tool to achieve a blending of the object (barbed wire) into the background.

johndclone.jpg

johndclone.jpg

During Janee's evaluation of this page, she gave me a challenge to remove the red harness from the bull.  Unfortunately, the bull had wandered off the meadow.  But I was able to find his cousin, Homer, who is depicted below.
Homer
yak_cousin.jpg

Dodging & Burning

This photo of my wife's mother was taken last year at her 80th birthday party.

johnddodgeburnb4.jpg

johnddodgeburnb4.jpg

The first thing I did was add a Levels layer and readjust a little to balance out the color intensity. Next I tackled the bright spot on the left lens of her eyeglasses. I cloned from the nonglare part of the lens to clean this up. Then I used the Burn tool to dim down the glare of the metal frame just above her left eye. (I had to struggle to find an application for the Burn tool, so bear with me on this.) The last thing I did was to use the Dodge tool on her teeth. I was so pleased at how easy it was to use this tool that I may have gone a little overboard with the whitening. But I am sure she will not mind it. She will probably ask me why I did not take out the wrinkles while I was working on her face. Why limit myself to the teeth? Oh well.....

johnddodgeburn.jpg

johnddodgeburn.jpg



Using Blending Modes

I chose a picture of my daughter, Michelle, and her nephew, Kian (my grandson), for this next exercise. The original is shown next.

johndblend1b4.jpg

johndblend1b4.jpg



I followed the instructions and created a Gaussian blur on a copy of the photo layer. Then I selected Screen and adjusted the opacity down to 38%. I felt that the image was still too bright. If I lessened the opacity further to reduce the brightness, I would eliminate too much of the blur. So I experimented and used the Effects Palette, where I selected a Soft Flat Color effect for the picture. This effect tended to dim the brightness and induce more of the blur effect. I like the result much better.

johndblend1.jpg

johndblend1.jpg

Special Color Effect

I am not too sure about this section. I really struggled to get something I liked. The result of my gradient application was not as intense as Janee's, but then I went a step farther and added a filter effect. Perhaps I should not have done that, but I thought the picture needed something additional. See what you think.

This photo is a shot of a gardening shed that my wife's unkle built on his property in Southern California. It is located in an avocado orchard behind his house.

johndblend2b4.jpg

johndblend2b4.jpg

To arrive at this last image, I added a Gradient layer, and after many, many futile attempts finally selected the Dark Spectrum gradient. I left it in the Linear style mode and made the angle -90 degrees. I toggled the blending mode to Overlay. I was reasonably satisified with the result, but it still seemed plain. I tried different gradients and although they created strong color effects, I did not resonate with any of them. Finally, I returned to the Filter selections in the menu and chose Filter > Distort > Ocean Ripple. To keep the effect limited, I used smaller numbers of 4 and 3 for the "waves". I liked the end result, although it may not have been the exact objective of the lesson.

johndblend2.jpg

johndblend2.jpg

And so we come to the end of the lessons for Photoshop Elements II - Part A. I am looking forward to taking the next set of instructions for Part B. See you all downstream. It has been fun.

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Sunlaker - Photoshop 7 Intro

Sunlaker Serenade